Cart from Norblin Factory

At the revitalised 19th century Norblin, Bracia Buch i T. Werner factory complex, a new city quarter emerged complete with offices, stores, restaurants, boutique cinema and an open museum commemorating the history of the Factory – one of the largest industrial enterprises in the olden days of Poland. The Norblin Factory museum features historic machinery set to resemble fragments of technological lines. Some of them are genuinely rare items. Apart from museum exhibits, the renovation left other historic objects in place. The owners wanted to find purpose for them so as to retain the most of the spirit of the old factory.

The third-year students of Domestic Design were tasked with developing a concept of a design to adapt a historic factory cart to a function of a seat in the revitalised space of Norblin Factory. They visited the factory during construction and maintenance works, learning its history and the concept of adapting spaces to suit new functions. They also studied the current social and architectural characteristics of the direct surroundings of the investment. Then, they started work with the original cart, which was temporarily placed in the University’s yard. They also had access to historic and maintenance documentation.

Works were carried out in three teams, each preparing a number of concepts for the cart’s adaptation. During the works, designs were consulted with the client’s representatives. Students prepared sketches, moodboards, scale models, ergonomics tests of the seat prototype and structure. Three concepts were finally selected, one from each team. Students prepared technical documentation necessary to implement the project. Bench designs were manufactured and can be viewed at Norblin Factory in Warsaw.

Art anthropologist and translator. She lectures on anthropology of art, anthropology of museums and the social construction of monuments in Poland. In School of Form she coordinates lectures and workshops in anthropology.

His work encompasses both art and design. He uses a concept introduced by himself called functional fixation, which stands for the inability to discern a new functional use of an object already associated with another function. He rebels against stereotypes regarding the functionality of utilitarian objects and modern life schemes.